DEPARTMENT OF ENGLISH

Biography

Tracy C. Davis, Barber Professor of Performing Arts and Professor of Theatre and English specializes in 19^th-century British theatre history, gender and theatre, and performance theory. She regularly teaches courses on 19^th-century culture, theatre history, and historiography. Her current work is on mid-19^th-century liberalism.

view Mentorship Philosophy

Teaching and Research posts held at:

University of Cologne, Ludwig-Maximilians-Universität (Munich) Centre for Advanced Studies, John Rylands Research Institute at the University of Manchester, University of Malta, Harvard University, University of Glasgow, Bristol University, Queen's University (Kingston), University of Calgary, Queen Mary University London.

Series Editor:

• Theatre and Performance Theory - General Editor, Cambridge University Press.
• Transnational Theatre Histories - Co-Editor, Palgrave
• Cultural History of Theatre - General Editor, Bloomsbury UK

Editorial Boards:

• Editorial Board, New Mermaids (Bloomsbury)
• Editorial Board, Theatre Research in Canada
• Contributing Editor, TDR: The Drama Review
• Executive Committee, International Federation for Theatre Research
• Advisory Board, ERC Grant "Theatre & Gentrification" PI Emine Fisek Türem (Austrian Academy of Sciences)
• Advisory Board, Shanghai Theatre Academy

Selected Academic Awards, Honors, and Research Grants:

• 1990-91
  • Andrew W. Mellon Faculty Fellowship, Harvard University
• 1994-95
  • American Philosophical Society Research Grant
• 1995
  • National Endowment for the Humanities Research Fellowship
• 2000
  • George Freedley Memorial Award (Theatre Library Association) representing excellence in writing on live theatre
• 2004
  • Clarence Ver Steeg Graduate Faculty Award (Northwestern University)
• 2005
  • Distinguished Scholar's Prize (American Society for Theatre Research)
• 2007
  • Lane Humanities Institute Teaching Professor
• 2007-08
  • Andrew W. Mellon Foundation Fellow, Huntington Library
• 2008-09
  • Stanley J. Kahrl Fellowship in Theatre History, Houghton Library
• 2016-18
  • Alexander von Humboldt Research Award, University of Cologne
• 2020-21
  • Kaplan Institute for the Humanities Faculty Fellowship
  • Virtual Global Research Connection Grant, Buffett Institute
• 2021-22
  • National Science Foundation (GEOPATHS pilot grant)
• 2023-24
  • Sawyer Seminar, Mellon Foundation
• 2024-27
  • (Co-PI) National Science Foundation (Geoscience workforce development through training inclusive geoscience leaders for a diverse talent pool), 2024-27

Areas of Teaching and Research

19^th-C British theatre history; historiography; Liberalism; economics and business history of theatre; performance theory; gender and theatre; research methodology, museum studies; Cold War studies; decolonizing theatre repertoires; theories of comedy

Specializations

Drama & Performance, Gender & Sexuality Studies, 19th-century British Literature

Books

The Cambridge Guide to Mixed Methods Research for Theatre and Performance Studies (co-edited with Paul Rae, Cambridge University Press, 2024)

Liberal Lives and Activist Repertoires: Political Performance and Victorian Social Reform (Cambridge University Press, 2023)

Routledge Companion to Theatre and Performance Historiography (co-edited with Peter W. Marx, Routledge, 2021)

Uncle Tom's Cabins: The Transnational History of America's Most Mutable Book (co-edited with Stefka Mihaylova, U. Michigan Press, 2018)

A Cultural History of Theatre, 6 vols. (co-edited with C. B. Balme, Bloomsbury, 2017)

The Broadview Anthology of Nineteenth-Century British Performance (Broadview Press, 2011)

The Cambridge Companion to Performance Studies (Cambridge University Press, 2008)

The Performing Century: Nineteenth-Century Theatres History (co-edited with Peter Holland, Palgrave Macmillan, 2007)

Considering Calamity: Methods for Performance Research (with Linda Ben-Zvi, Tel Aviv: Assaph Books, 2007)

Stages of Emergency: Cold War Nuclear Civil Defense (Duke University Press, 2007)

Theatricality (co-edited with Thomas Postlewait, Cambridge University Press, 2004)

The Economics of the British Stage, 1800-1914 (Cambridge University Press, 2007)

Women and Playwriting in Nineteenth-Century Britain (co-edited with Ellen Donkin, Cambridge University Press, 1999)

George Bernard Shaw and the Socialist Theatre (Praeger/Greenwood, 1994)

Actresses as Working Women: Their Social Identity in Victorian Culture (Routledge, 1991)