Jean H. Hagstrum Prize for Best Dissertation
|
2024-25 |
Lingyi Olivia Xu (PhD 2025) |
Multilingualism of the Other: Writing the Novel in Translation East and West, 1818-1910 |
|
2023-24 |
Johana Godfrey (PhD 2023) |
Victorian Anachronists: Knowing the Past in the Nineteenth-century Novel |
|
2022-23 |
Jayme Collins (PhD 2022) |
Composing in the Field |
| Nancy Haijing Jiang (PhD 2023) |
The Trade of Penance: Commercial Practice and Penitential Piety in Late Medieval Literature | |
|
2021-22 |
Maria Dikcis |
Ink, Wave, Signal, Code: Multiethnic American Poetry's Media Ecologies After 1965 |
|
2020-21 |
Sara Černe |
American Sediments: Race and Environment in Literature along the Mississippi after Twain |
|
2019-20 |
Bonnie Etherington |
One Salt Water: Writing the Pacific Ocean in Contemporary Indigenous Protest Literatures |
|
2018-19 |
Chad Infante |
Cool Fratricide: Murder and Metaphysics in Black and Indigenous U.S. Literature |
|
Andrew Keener |
Staging Worlds of Words: Cosmopolitan Vernaculars in English Renaissance Drama |
|
|
2017-18 |
Toby Altman |
The Shock of the Old: Periodization, Poetics, and Diachronic Exchange Between the Renaissance and the Avant-Garde |
|
2016-17 |
Alanna Hickey |
The Forms of National Belonging: The Politics of Nineteenth-Century Native American Poetry |
|
2015-16 |
Maha Jafri |
Between Us: Gossip, Sociability, and the Victorian Novel |
|
2014-15 |
Christopher Shirley |
Reading by Hand: Manuscript Poetry and Reader Identity in Early Modern England |
|
Winter Jade Werner |
The Gospel and the Globe: Missionary Enterprises and the Cosmopolitan Imagination, 1795-1860 |
|
|
2013-14 |
Michael Slater |
The "Literary Revolution": Reimagining Literature and Science in the Renaissance |
|
2012-13 |
Jenny Lee |
Confessio Auctoris: Confessional Poetics and Authority in the Literature of Late Medieval England, 1350-1450 |
|
Wendy Roberts |
Redeeming Verse: The Rise of Revival Poetry in Eighteenth-Century British North America |
|
|
2011-12 |
Greg Laski |
The Present-Past: Race, Repetition, and the Temporality of American Democracy after Slavery |
|
2010-11 |
Abram Van Engen |
The Sentimental Puritan |
|
2009-10 |
Jeffrey Knight |
Compiling Culture: Textual Assembly and the Production of Renaissance Literature |
|
2008-09 |
Hyun Jung Lee |
Evil Genius: Victorian Popular Fiction as Moral Philosophy |
|
2007-08 |
Gayle Rogers |
British Modernism and Ortega's Spanish Vanguard: Cosmopolitanism, Circulation, and Modernity, 1922-1939 |
|
2006-07 |
Wen Jin |
Rethinking Cultural Translation: Multiculturalism and Chinese American Transnational Literature |
|
Dan Gleason |
Seeing Imagism: A Poetics of Literary Visualization |
|
|
2005-06 |
William Huntting Howell |
"A more perfect copy than heretofore": Imitation, Emulation, and the Early American Literary Culture |
|
2004-05 |
Dana Bilsky |
Tangled Skeins: Identification and Tantasmatic Genealogies of Slavery in Narratives by Jacobs, Crafts, Wilson, and Keckley |
|
2003-04 |
Benjamin Pauley |
The Common Class of Men: Law and the Lay Reader in the Eighteenth-Century English Novel |
|
2001-02 |
Matthew Frankel |
The Aesthetics of Citizenship: Race, Representation, and the American Sublime |
|
1999-2000 |
Bradley Deane |
The Making of the Victorian Novelist: Authorship, Ideology, and the Mass Market |
|
1998-99
|
Claire Waters |
Doctrine Embodied: Gender, Performance, and Authority in Late-Medieval Preaching |
|
Joshua Charlson |
Writing the Void: The Holocaust, Representation, and American Culture |
|
|
1995-96 |
Deanna Kreisel |
The Economics of Closure: Political Economy, Gender, and Narrative in Eliot and Hardy |